My feelings too, Anita. I especially agree with your last sentence. For example, her 'digs' at the writers of Gothic novels in Northanger Abbey are superb. I do remember, however, feeling great concern for Marianne Dashwood (Sense and Sensibility) who became seriously ill following the rejection by Mr Willoughby. Passionate stuff indeed! I was also very relieved when Marianne's sister, Elinor, Fanny Price (Mansfield Park), and Anne Elliot (Persuasion) finally ended up with the men they so clearly loved.Anita Bensoussane wrote:I must admit I never really feel "caught up" in the romantic relationships in Jane Austen, even in books like Pride and Prejudice. There's something about her style of writing, or perhaps just the very formal, "mannered" era about which she's writing, that (for me, anyway), prevents a strong sense of passion coming through. I read the books mainly for the wry witticisms, keen observations and social comment.
I must admit that I found Emma Woodhouse (Emma) extremely irritating and shallow. I always felt that this novel was a very acute observation of the behaviour of many idle, young, privileged women of the Regency period. I have always valued Jane Austen for the qualities listed in Anita's last sentence, more than as a writer of romance.